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SUMMER 2010 WORKSHOPS - SCULPTURE |
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Summer 2010
Heather Blume
Connie Hatch
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Sculpture 2010 Welding/Metal Essentials James Rhea June 14 - 18
James “Jimmy” Rhea is recent graduate of the University of Massachusetts with an MFA in Sculpture. He worked at the Inferno Art Foundry for three years as a founder, and as a freelance carpenter after completing his BFA at the University of West Georgia. Jimmy is originally from Newnan, Georgia, where he developed skills in welding, casting, and throwing pottery. His work, which is mostly figurative steel, has been shown throughout the Eastern United States. Stone Carving Dean Munroe June 21 - 25
Art for the Garden: Works in Cement, Mosaics, and Mixed Media Tom O’Connell June 28 – July 2
Tom O'Connell has been working with concrete for over 25 years. A graduate of the Massachusetts College of Art, he has used concrete as an art material in numerous private and public commissions including his most recent mosaic at the North End Branch Library in Boston. His new work is now part of the Boston Public Artwalk. Beastly and Fowl: A Sculptural Exploration in
Clay
Hannah received an MFA in ceramic sculpture from Alfred University in Alfred, New York. As an undergraduate she attended Wesleyan University in Middletown, Connecticut where she received a BA in studio art. She has taught courses in ceramics at a number of schools, including Harvard University, MassArt in Boston, Carnegie Mellon University in Pittsburgh, Pennsylvania and Georgia State University in Atlanta, Georgia. She regularly exhibits her work at galleries and craft shows nationwide. She lives in Winchester, Massachusetts with her husband, 3 kids and Elijah the dog. You can see her work at: www.hannahniswongerceramics.com
July 5 – 9 Students in this class will use cardboard to create a wide variety of sculptural forms: houses and buildings, vessels, abstract objects and shapes, props, wearable costumes, and high-relief wall-mounted pieces. The class will concentrate on making objects using lightweight and easily available, if not free, materials such as cardboard, which can be bent, cut, shaped, attached, stacked, tied, and twisted to do amazing things. It can be combined with glue, duct tape, paper mache, paint, plaster, fabric, string, and a host of other materials. Although cardboard can be textured and finished to look like a solid, heavy object, it can also stand on its own, or be the substrate for photo-based work, painting, drawing, and collage. The group will explore small and large-scale approaches, and work out ideas in both 3-dimensional sketches and complete finished pieces. Wayne Montecalvo was born in Edison, NJ, holds a degree in sculpture from the School of Visual Arts, NYC, where he became interested in using readily available and discarded materials in his artwork. He has been Artist-in-Residence at the John Michael Kohler Arts In Industry program, Women’s Studio Workshop, the Vermont Studio Center, and the Frans Masereel Center in Belgium. He currently teaches at the State University of New York at New Paltz and lives in Rosendale, NY, where he maintains a studio. Modeling a Portrait in Clay Elsa (Tina) Tarantal July 12 – 16 Students in this class will focus on the structure of the head and face of the model to create a sculpture that captures an individual likeness. The class will explore methods of seeing and translating the forms that are responsible for the unique appearance of each person. Working with traditional tools and materials, the group will use techniques that sculptors find indispensable when working from life. Elsa (Tina) Tarantal is a graduate of the Cooper Union in NYC and the University of Pennsylvania, where she earned an MFA in sculpture. She is a Professor at the University of the Arts in Philadelphia, where she teaches Three-dimensional Design and Figure Modeling. She has also taught portraiture at the New York Academy of Figurative Art. Her sculptures and paintings can be seen at the Kendall Gallery in Wellfleet, where she has exhibited her work for over twenty-five years. She is a member of the National Sculpture Society.
July 12 – 16
This class will explore the ancient art of mosaics, using regular household tiles to create beautiful enduring designs, patterns, and pictures with bright colors that will never fade. Finished with grout to seal them, these works will be suitable for hanging or permanent installation at home. Appropriate for all ages. Tony Silva is the son of the world-renowned mosaic artist Pedro Silva, and has been working with mosaics since childhood. As foreman of his father’s crew of artists, he has helped create giant mosaic murals, cover cement sculptures with tiles, and restore the famous mosaic benches around Grant's Tomb in New York City. A musician, dancer, and mask maker, Silva brings a wide range of experience to his teaching. www.TonySilva.com This year’s Ella Jackson Chair Mixed Media Master Class Alison Saar July 19 - 23
Bronze Casting in the Open Face Mold David Boyajian July 19 – 23 Bronze casting is made quick and easy in this basic introduction to foundry techniques. Soft fire brick will be used as a mold material. Low relief will be carved into the brick using files and sandpaper. Molten bronze will then be poured into the mold, cooled, and released. Each student will create a series of bronze castings that will then be assembled by mig-welding. Patina and mounting techniques will also be covered. David Boyajian was born and raised in Connecticut. After receiving his BFA in 1980 from Alfred University, he attended the Skowhegan School of Painting and Sculpture and in 1982 completed his MFA at the Maryland Institute, Rinehart School of Sculpture. Since 1986 he has been teaching metal sculpture, introduction to foundry, stone and wood carving at the Silvermine School of Art in New Canaan, CT. In 1993 he became the Director of Sculpture Studies and is an artist member of the Silvermine Guild. The Spiritual Side: Painting & Sculpture
Nancy Azara
When you look in a mirror you see yourself, Using artmaking as an outward instrument and themselves as a reflected
image, and a mirror, participants will explore the spiritual side of their
painting, sculpture and mixed media using various methods and materials.
Bring some current work to class. Piecing It Together Conny
Hatch July 26 – 30 $380 In this class students will work on sculpture and/or assemblage. Participants should bring any found, reclaimed, or re-useable objects that inspire them and have a potential for a new life. The only prerequisite is and ability to think and create OUTside the box! Tools and some materials will be provided. Conny Hatch is an artist who had the great fortune of having her dad teach her how to use hand and power tools at a very young age. After studying art with a concentration on ceramics at the Maine College of Art and Haystack Mountain School of Crafts, she moved to Provincetown in 1998. A 1999 Castle Hill sculpture workshop with Paul Bowen turned her interest toward working with found and reclaimed materials to create lively and unique sculptures. She has created over 200 sculptures, which are in collections in the US and England. In 2007 she was awarded a Pollock-Krasner Foundation grant to pursue her art, which can be seen at the Kobalt Gallery in Provincetown. www.connyhatch.com Color on Copper and Brass: Patinas from the Kitchen, Backyard, and Grocery Store Sarah Groves
Sarah Groves is a bench-trained metalsmith/jeweller,
printmaker and ecologist who works with copper, silver, gold and natural
gemstones. Many of her jewellery designs are shaped and textured by forging
(hammering) metal and colored with patinas. She experiments with plants,
fruits, veggies and commonly available substances to find relatively non-toxic
patinas for coloring copper and brass. Her workshop is in Vancouver, BC
where she works as a full-time studio artist and teacher of introductory
and intermediate jewellery techniques. Figure Study From Life Joyce Johnson
August 23 – 27 Using standing armatures, students will evaluate proportions and forms of the human figure. Students may choose to do a full figure, torso, or portrait of the model. Plastecine or natural clay will be used. Joyce Johnson is a graduate, cum laude, from the School of the Museum of Fine Arts, Boston and the Escuela de Artes Tecnicos y Oficios, Madrid. She is the founder of the Nauset School of Sculpture in North Eastham in 1968 that evolved into Truro Center for the Arts. She also co-founded the Outer Cape Artists Residency Consortium and is on the board for the Highland Center Inc. and Campus Provincetown. She was named a "Living Treasure" by Cape Women Creating in 1997. Art for the Garden: Works in Cement, Mosaics, and Mixed
Media Aug 23 - 27 $380
Tom O'Connell has been working with concrete for over 25 years. A graduate of the Massachusetts College of Art, he has used concrete as an art material in numerous private and public commissions including his most recent mosaic at the North End Branch Library in Boston. His new work is now part of the Boston Public Artwalk.
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